Magnificat, BWV Esurientes implevit bonis.
Magnificat, BWV - Esurientes. Ricercar Consort , Philippe Pierlot. Aria alto : Esurientes implevit bonis. Bach Choir of Bethlehem , Greg Funfgeld. Magnificat BWV Aria. Iestyn Davies , Arcangelo , Jason Cohen.
Concerto de Bassus , Franz Hauk. Aria Alto "Esurientes implevit bonis". Orchestra of St. Esurientes Implevit Bonis, alto solo. Reilly Lewis. Magnificat in D, BWV ix. Aria: Esurientes implevit bonis.
Michael Gielen , Orchester der Wiener Staatsoper. Magnificat in D: Esurientes. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hyperion offers both CDs, and downloads in a number of formats.
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Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. No fewer than three Bachs—father and two sons—and three wonderful versions of the Magnificat written over the course of the eighteenth century: one setting very familiar, the other two much less so. Johann Sebastian Bach was evidently determined to make the biggest possible splash when he took up the post of Leipzig Thomaskantor on 30 May For the first major feast day of his tenure, the Visitation of Mary on 2 July, he composed an E flat setting of the Magnificat that used the most lavish forces available to display the full splendour of his art.
For a repeat performance on 25 December he interpolated four Christmas songs. Some time in the late s or early s, Bach then revised the Magnificat, omitting the Christmas interpolations, transposing it down from E flat to D major a much easier key for the trumpets and replacing the pair of recorders with flutes. It is notably concise as required by the constraints of the Vespers service , with powerfully concentrated choruses and colourful arias, and combines immediate melodic appeal with sonorous and architectural grandeur.
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Magnificat: Esurientes Implevit Bonis
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