From Wikipedia, the free encyclopedia. Denise Mina. The Guardian. Retrieved 20 July Retrieved 14 September New Writing North.
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Retrieved 16 March Bloody Scotland. Categories : births Living people Scottish crime fiction writers Scottish mystery writers People from Glasgow Scottish women novelists Scottish comics writers Female comics writers Barry Award winners Alumni of the University of Strathclyde Alumni of the University of Glasgow 20th-century Scottish novelists 21st-century Scottish novelists 20th-century British women writers 21st-century British women writers Scottish dramatists and playwrights Women mystery writers British women dramatists and playwrights Members of the Detection Club Tartan Noir writers.
Namespaces Article Talk. Views Read Edit View history. In other projects Wikimedia Commons. They were tall men. Joe would have been attractive if he hadn't been such a prick.
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He had blond hair, turning white in the recent wave of sunshine, a deep tan, and he was always smartly dressed, in chinos and well-fitting shirts and jumpers. When Maureen first met Joe, his tan looked as if he'd just come back from a nice holiday somewhere Mediterranean. In the past year the tan had become more orange and sunbed-ish but it might have been her jaundiced view of him: they had an unhappy history.
Hugh looked far more Scottish. His hair was a russet red, flecked with silver at the temples. His eyes were blue and his skin flushed red or white depending on the season. The living room window was pushed right up and the evening was cooler than the day but men were still sweating into their collars. Usually, Glasgow's weather vacillates between freezing rain and not-so-freezing rain but sometimes, on a five-to-ten-year cycle, the weather turns and the city doesn't know itself.
This was such a time.
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Unconditional sunshine had arrived one week ago. Virulent, fecund plant life had sprung up everywhere: trees and bushes were heavy with deep green leaves, growth appeared on buildings, between cracks in the pavement, on bins. The city burst into life and everyone began to farm their skin.
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Water-white cheeks and necks withered and puckered with relentless exposure. Casualty departments heaved under the strain of sunburn and heat stroke. Everyone in the unaccustomed city was dressing as if they'd woken up naked in a bush and had to borrow clothes to get home: old women wore young women's summer dresses, vest tops were stretched over belly rolls, short sleeves showed off straps from industrial bras. Every night felt like Friday night and parties went on too long. Fantastic blood-alcohol levels were attained by conscientious individuals.
Everyone was dangerously out of character. Hugh sipped the coffee and Joe lit a super-low-tar cigarette. Maureen sat on the toilet and held her head in her hands. The timing couldn't have been worse. Her big sister Una was expecting a baby any day now, her father Michael was back in Glasgow, floating around like a toxic cloud, and the dreams and flashbacks were getting worse and worse. When she thought of Michael in her city the air caught in her throat, the light stung her skin and scratched her eyes.
She would rather have been dead than share the air with him.
And now Joe and Hugh were back up at her door asking about Angus Farrell again. Joe had never liked her much but he treated her with frank contempt now. She'd lied about Angus writing to her from the hospital and had kept all the letters back from them for as long as she could.
She couldn't hand over those letters. Angus had written them to make the police think he was insane, to give himself a defence, but she read between the lines and knew that he wasn't. The irrationality was too ordered, too carefully set. Angus had a plan. He'd hinted at what had happened between himself and Maureen in almost every letter, hinted that she had drugged him with acid.
If she handed over the letters she'd be damning herself and giving him evidence for an insanity defence. The police had searched her house, got hold of them anyway and Joe had loathed her ever since. However much she tried to convince herself that it didn't matter because she didn't like him either, it was hard to be in his company. She dug her nails into her scalp, deep into the skin, promising herself a cigarette if she went back into the living room.
She stood up and flushed the toilet for authenticity, lifting the lid so it was loud enough for Joe and Hugh to hear.
They had their elbows on their knees, their ankles crossed, mirroring one another. The books were a big step. She wasn't sure why she was doing it, but the house felt better without the clutter. She felt as if she was stripping the set, getting ready to leave with no idea of where she was moving to. Joe looked at the far wall.
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Hugh reached into his jacket pocket and pulled out a notebook. Joe was looking unhappily around the room, at the portable television balanced on a kitchen chair and the blood-stained floorboards. Maureen looked at the bloody mess. It was a flattened stain, squashed out of shape because the carpet had been over it when Douglas, her boyfriend, was murdered. She looked back at Joe. Excerpted by permission. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Sign in to Purchase Instantly. Overview Irresistibly blending suspense, mystery, compassion, raw instinct, and grim wit, Resolution provides a wrenching conclusion to Denise Mina's universally acclaimed Garnethill trilogy. About the Author. Show More. Average Review.
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